Technical Rider


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TEREM-QUARTET Technical Rider

 

 

THE MUSICIANS:
Andrey Konstantinov soprano domra (Honoured artist of Russia)
Alexey Barshchev alto domra
Andrey Smirnov bayan (Honoured artist of Russia)
Mikhail Dzyudze bass balalaika (Honoured artist of Russia)

 

I. Pre-concert sound-check

1. If the venue has sufficiently good acoustics for the ensemble’s instruments, a short acoustic run-through is required, to last at least 15 minutes before the house is open to the public.
2. If the venue’s acoustics are not sufficient for our instruments, amplifying equipment of the required quality should be used (to achieve natural, undistorted sound).
3. The amplifying equipment should be ready for a run-through at least 1.5 hours prior to the start of the concert.
4. The sound engineer should preferably be experienced in working with acoustic instruments.

II. Concert (stage)

1. On the stage – three standard chairs, without arms, of identical color, sturdy, which do not creak (see layout of chairs, instruments and microphones on stage)
2. If amplifying equipment is used, five microphones are required for the instruments and one for introducing each piece of music.
Microphones:
a) Soprano domra –condenser microphone Shure SM 57 or (AKG CK451)
b) Domra alto –condenser microphone Shure SM 57or (AKG CK451)
c) Double-bass balalaika - Shure SM 58 beta or (Shure SM 98
(clip on))
d) Bayan accordion - two condenser microphones Shure SM 57 or (AKG CK451)
3. Four music-stands.
4. Lighting should be simple and bright, so that the musicians’ faces are visible. Lighting is to be regulated before the concert begins and must not be changed during the concert. Low-level lighting should be switched on in the audience seating area.
5. The temperature on stage should not be below 17°C and not exceed 30°C.
6. During the actual performance, especially where no amplifying equipment is used, please make sure that there is silence both backstage and in the audience area. Any movements should be limited to the interval or during applause.
7. If the stage is outdoors, provision must be made for no rain or sun rays to fall onto the instruments.